What this door owns.
The three doors are told apart by temperature and proportion, not by three separate palettes, so the house still reads as one house. This is what Revival To My City owns.
| Ground | White or Parchment. The most whitespace of the three. |
|---|---|
| Type | Midnight on light. DM Sans led. |
| Flame | 5% ceiling. The quietest door. |
| Register | Before the fire. Calm, open, unhurried. |
| Endorsement | Every surface carries the line A ministry of THE WORD FOR ALL THE WORLD. It is not optional. |
Why this door exists.
CLEAN is the first movement of the journey. A heart is cleaned before it burns, so this door is the invitation, not the intensity. Its work happens in evening services: worship, preaching, the altar call, and testimonies captured as they are given.
Documentary capture, from the record.
Real moments from real ministry. Nothing stock, nothing staged, nothing generated. Every published photograph carries a caption in the record register.
Dates come from the capture record. The location is recorded as Sanga, Mbarara, Uganda in the capture folder and is pending confirmation against the official ministry record, so it is stated here and not yet frozen into the guide.
One lockup, five forms.
Heavy caps in Midnight, a hairline rule split by a single Flame tick, and the endorsement line beneath. The tick is the only Flame on the mark, which keeps it inside CLEAN's 5% ceiling. Every form is vector, so it scales without limit and recolours by changing one fill value.
Where this door departs.
Everything in the Brand Guide applies here. These are the points where Revival To My City is deliberately not the parent.
- Lead with air. This door carries the most whitespace in the house. Crowding it contradicts what it is for.
- Flame at five percent. Half the parent's ceiling. A single tick, a rule, a numeral. Never a panel.
- Midnight type on light ground. The evening footage is dark enough on its own; the page around it stays paper.
- The altar call is the call to action. Every surface ends with something the reader can do, and it is an invitation before it is information.